Crafty Divergence

It's not something any crafter likes to have occur to them, but I have been wondering if I have too many different projects on the go. Lots of knitting projects - yes. Lots of sewing projects - yes. But lots of projects, each one for a different craft - no. My brain is trying to think of too many things at once. The tipping point seems to have been casting on the Hourglass Sweater from Last Minute Knitted Gifts. I made this before when I was heavier and wore it a lot but gave the too large jumper away when we moved to Japan.

I bought some RichMore Percent Gradation from Yuzawaya this week having got bored of wearing the three warm jumpers I have here in rotation non-stop for the last two months. I remain optimistic about the unexpectedly stripy effect working out for the best, despite the evidence so far. This was begun on top of the latest EPP project I've started - making the base of a new bag.

This uses the bundle of Japanese cottons I bought at the Quilt Show last month which looked blue together but which are definitely more green when pieced like this. I do adore this type of fabric which doesn't seem to have a name in Japan. The cotton is thicker than quilting cotton with a slightly brushed effect which makes it feel very soft. The patterns are woven rather than printed which also increases the bulk where there is a feature such as a flower (top row, 3rd from the right) or a dot (second row, 1st on the left). These features also give it a lovely texture and the colours are all very dusty and muted. Beautiful. I have also been hand sewing the roof of the little 'house' sewing box I also got at the quilt show.

I've been using printed Japanese cottons for this. These have the same kind of weave as the above ones but tend to be darker and with a pattern printed rather than woven in. I picked up this sample pack at Okadaya. I have a chimney ready to go and am going to hand quilt some roof tiles before adding some binding. Then I have been decoding the back of this.

I had done quite well using this page of common sewing terms but then had to get Pooch to help with the last few. The sizing is quite impressive - for people from 48cm tall to 180cm. Japanese patterns tend to go on height rather than 'size 14' or 'Medium' which makes sense really. It is certainly handy when it comes to baby clothes since my 9 month old niece now wears a 12-18 month size. So that means my mind is also full of sewing clothes. I plan a sample dark blue cotton jacket with added sashiko stitching. I've always wanted one like that since first discovering sashiko embroidery a few years ago. Then lastly I finally found a decent sized polystyrene ball so can set about trying my first Kimekomi Ball.  

They are kind of fabric temari balls - something Knitting on the Green taught me to make many moons ago. But instead of effectively embroidering the ball you make cuts in it, using the same measuring technique as with temari, and then wrap the fabric around it, pushing it into the cuts to hold it. So my mind is also full of those.

As a break from all this self-imposed craft pressure I took myself off to the beloved cat café yesterday. The cats were all extremely mellow - I think it was the sunshine after the snow. This lady, called Yuzu, in particular was loving the sun patch she found herself in.

She only woke up when her sister Anzu came over and started cleaning her before doing the same to herself. They are both a breed called Ocicat which are spotted like wildcats despite having completely domesticated cat DNA. They are very beautiful.

Her waking up meant she was in time to see this guy...

...wake up and take it into his head to have a chew on the folder he'd been sleeping on. He is called Nats and is an Abyssinian. They are quite wiry with very short but very soft and silky fur.

Nats and his sister Coco are usually to be found playing with the toys and cantering down the room before doing a death defying leap from one ceiling height perch to another so it was quite unusual to see Nats so docile. Two others deserve special mention. Ramu is a very beautiful Ragamuffin cat - they tend to go limp when picked up and are quite big and very soft and fluffy.

Ramu likes being up high so she was on top of the cat tower and every now and again a whole leg or her tail would drop down through the hole.

Very cutely she was thrilled when another visitor started playing with her with the rope you can see above. This breed is known for being quite playful but also quite lazy so she rolled around on the platform while the rope appeared first on one side and then the other. She didn't seem bothered about catching it, she was just enjoying keeping track of where it was. Very sweet. The other I spotted when I was just leaving. This is Lili who is a Ragdoll - very similar to the Ragamuffin but not quite as fluffy.

When I first caught sight of her I thought with horror that her face had swollen up but on closer inspection she's cradling her face with her paw! I've never seen a cat do this before and the staff were really amazed by it too and immediately started taking pictures for the website. She seemed very comfortable and didn't move it when she woke up amongst all the attention. So all in all it was a very mellow and happy visit! And now, back to the...what? Knitting? Sewing? Ah...supermarket run!

Kawaii at Kiddyland

Last night's Stitch n Bitch (on meetup.com should you ever happen to be local) was near Omotesando which happens to be near Kiddyland. I had heard that there was a toy shop aimed at adults rather than children and decided to pay it a call. I had no idea what to expect plus I only had half an hour but it was 30 minutes well spent.

My eye was immediately caught by a sign to Snoopy Town in the basement.

I am a keen devotee of Snoopy but in a kind of casual way. The basement of Kiddyland is enough to make me think I've been wasting my life. So. Much. Snoopy.

Snoopy clothes (adult sizes, although there was small baby section), slippers, crockery, cutlery, bento boxes, hair slides, biscuits, tea...

Oh wowsers, it was Snoopy heaven. I was ridiculously restrained and simply bought a patch for the bag I started decorating before xmas.

The physics geek in me cannot resist when two enthusiasms, such as Snoopy and space, combine. On the way back from SnB (which was awesome again) I read about Snoopy's involvement with Nasa - or possibly I mean Charles m Schultz's involvement with them. From Wikipedia "Following the Apollo I fire, Snoopy became the official mascot of aerospace safety, testing and the rebuilding of the Apollo Program, due to his refusal to accept defeat and his "'outside the doghouse' way of looking at things." " Mr Schultz reciprocated, including several space travel stories in his Snoopy strips. I never knew that before. See how foreign travel expands the mind?!

Having so blissed out in the basement I had very little time to explore the other three floors but they were similarly kawaii (cute) and had all sorts of characters. Including the slice of salmon seemingly known as Kirimi.

Let me know if your life needs a slice of salmon pencil case to be complete and I'll send one on!

 

SnB has been too briefly glossed over. It really was good and for once I was not the new kid! I was able to tell two others about my favourite knitting shops and in return learnt about a village of Japanese farmhouses, an alternative to Craigslist for selling furniture when you leave and an idyllic island an easy train ride from Tokyo which has lots of galleries and art projects going on - Naoshima.

Looks kind of nice huh? Just need to wait for this snow to clear up and for it to get a little bit warmer so I can paddle!

As Many Crafts As There Are Stars In The Sky

We have had more snow in Tokyo so it has been a good time for more crafting. Before it struck I made a second visit to Asakusabashi, where I went on a craft tour a few weeks ago. I had done some more research and found this website by a woman who writes crime mysteries based in Japan. She has some great tips on where to go in Tokyo. I had just been intending to get a ring and bracelet finding from one of the bead shops and then check out the washi paper shop to make sure it was worth bringing Mumsy here when they visit next month. It's so hard, though, to go to a bead shop with 4 large floors and only buy findings from the ground floor. Especially when they have examples on display. I basically had no chance.

Especially when the tutorial sheet was 50 yen (about 30p). Isn't it purty?

I've never used glass gems in settings before. It was very fiddly but once you get the first spoke down it gets easier. I think the materials cost about £5 all in. I will definitely be making a few of these as presents!

Then the washi paper shop. Wow, that place is good. It is basically chock full of kits for all sorts of traditional crafts and you know how I am about trying a new craft. Plus Mumsy has already said she is after exactly this kind of thing so I kind of had to try one to see how she'd get on with all japanese instructions. I was just being a dutiful daughter...

You get given the scored cardboard, black paper, templates for cutting out the papers, wooden knob, instructions (with lots of pictures) and can then choose your own washi paper from about 50 designs - traditional and modern in the most amazing colours. I was immediately drawn to this one. You know I am powerless against polka dots.

I have never been particularly interested in paper crafts but these are a whole different kettle of fish. The kit was about £7 including the paper and you use masking/sellotape and white glue to do the rest. It probably took about 3 hours all together but isn't it beautiful? I have told myself I cannot go back until Mum arrives as otherwise the flat will be full of boxes and baskets and purses and pictures and more, all made out of these beautiful papers.

And what of the findings I went for in the first place?

Not my neatest of projects considering I just hot glued the stuffed fabric into place but perfectly feasible. Plus a surefire way for me to stop stabbing myself with the pins and needles I end up sticking in my jeans when I am in full flow. So far I am using the ring one the most but once I am machine sewing again I expect the wrist one (which is actually intended for use as a hair band) should be very handy. I do have one of the commercial wrist ones with the plastic strap but they are always very scratchy and uncomfortable. This is much nicer and the insertion of a 1 yen coin at the base of the blob means I don't stab myself. Always a bonus!

Some people would think this is enough craft for one week but they would be wrong. I finally bought the fabric for my one-block-wonder which I signed up for back in September. I decided on EPP since I prefer hand sewing patchwork to machining it. I carefully folded and cut the fabric and am gradually transferring the left (the original fabric) into the right (four hexagons).

I am not fussy cutting (i.e. trying to get certain parts of the pattern into certain triangles) so this is entirely a random process but I've always been fascinated by it when I've seen quilts using this technique before. As always with this technique, I am inspired by my favourite from last year's NEC quilt show:

It always fascinates me how this technique exaggerates the elements of the original - focusing your eye in the quilt above on the different patterns within the fabric. With my fabric this is even more exaggerated given the difference between the pink flowers and the green background.

Pooch's response to my various finished objects is generally to nod, frown, and ask what I'm going to make next. Usually I don't have a plan but as it happens I have been thinking a lot about Pojagi (or Bojagi) which is a traditional Korean patchwork way of making wrapping cloths (something that is also very traditional in japan except their cloths tend to be whole cloth with a printed design rather than patchwork). It is also a technique for making transparent quilts and there was a great one at the recent Tokyo Quilt Show.

I have been researching the seaming technique involved and almost bought some chiffony stuff on my last fabric expedition before reeling myself in and telling myself sternly I should practice with existing fabric before I commit. So at some point in the near future that is what I'll be doing.

How Not To Make a Fabric Bowl and Giveaway Winner

Congratulations to PK Sews who has won the remaining ladies from the She Who Sews bloghop! I have emailed you to ask for your address. 

In my last post I showed how not to make a fabric bowl. I am really not good at using bias binding. Despite copious evidence to the contrary I continue to believe I can sew it on both sides at once. Tsk tsk. 

The photo from my last post is on the right and shows a horrible travesty of stitching where the binding slipped and didn't cover the stitching. On the left shows what happens when you decide to change the stitch you're using. Bodge, bodge bodge. I was notionally using this tutorial so I went back and read it again before again bodging it. Here is what happened. 

I assembled my materials. In this case an epp patchwork piece and a wrapping cloth for the year of the horse we were given when leaving a restaurant last month. It is cotton and I didn't need to wrap anything so I thought I'd repurpose it. 

Using the friendly dinner plate I cut out my circles, along with a circle of felt - which you can get half metres of at the 100 Yen shops. I sewed the layers together, sandwiching the felt between the wrong sides of the horse and pink fabrics and machine stitched 1/4" from the edge all round. 

I have frequently tried gathering a machine stitch and have every time snapped the thread and been left with a mess. This time I threaded a needle with doubled thread and sewed a running stitch around the edge using the same holes as the machine stitching made and sewing one of my stitches for every two of the machine's. I then gathered and tied off. I then, after some thought, made an important strategic decision. 

I went for hand sewing the binding on BOTH SIDES. I know. Mind blowing. 

It even kinda worked. With a little more time I dare say the bowl could be coaxed into a circle and the binding is at least neat. Plus this means my 'small' item for the sewing room swap is now finished and thus all sewing for that swap is complete. 

I am going through a big EPP binge at the moment and so I have another project to share - one which I rather suspect I am going to use for the EPP Pouch Swap since my efforts with the blue/grey patchwork have been so consistently dismal. I used some of the 6cm squares I got at the Tokyo Quilt show to make this strip. 

Having had such an awful time with zips (as well as bias binding) I decided to go full-hand-sewn on the zip. 

I added a pin cushion and pouch to the inside.

And just to prove it is impossible for me to make something right first time, I added a ribbon to the middle to hold reels of thread, using a lobster claw fastener that is too big to go through the centre of any reels, bobbins or other thread holding devices currently in existence. 

Well you know. Perfection is an insult to Allah an'all. 

I'll keep trying. 

Not Good Enough For A Swap But Good Enough For Me?

Mere weeks ago I was reflecting on how I put so much effort into things for swaps but not the corresponding amount into things for myself. Whizz forward to today and I added the bias binding to a fabric bowl intended for the sewing room swap. Bias binding and I are not exactly well known for our accords.

FFS. Looks awful. I immediately thought "it's no good for the swap but I can use it as a thread catcher since I needed one anyway". Which, yes, that is better than throwing it away because from a practical point of view it's fine, but (with a stamp of my little foot) I want nice things too!

This is what I think I deserve to make myself nice ones of:
1. Thread catcher
2. Shoulder bag
3. At least one fabric basket for the coffee table (since at the moment stuff is sprawled all over it)
4. Tool basket/tray for sewing machine area (because ditto)
5. Pincushion ring/bracelet (because I keep sticking them in the sofa and then sitting on them)

Meanwhile I have the stuff for another fabric bowl and once it is complete I'll add a how-to-and-not-to-make post for it here.

As an aside, it snowed in Tokyo yesterday - all day non-stop. It was rather exciting as it was very fine snow the like of which I can't remember seeing since before I moved to London so probably about 20 years ago. We ventured out for american style pancakes with maple syrup (god bless Vermont) in the morning but then burrowed into the sofa for the rest of the day. By bedtime it had settled to about 8" deep on the branches outside so I assume it was the same on the ground.

During the day the birds were not at all happy and kept kicking up clouds of it to get at the food I'd put out that morning as usual. When they came to have a look inside to see what we were doing, as they like to, they left little divots in the snow balanced on the rail. So sweet!

Names of Traditional Japanese Clothes

I was looking this up so I knew what type of jacket pattern to look for when I thought I might want to refer to it later. Hence this blogpost. So really this is really more of a notebook page for me than something I strongly wanted to share. Links are to wikipedia pages which often have pictures on.

Fundoshi - old school men's pants. The man puts the 'fun' in 'fundoshi'. Essentially a loin cloth. Probably not going to need a pattern for this. Ever.
Furisode - unmarried woman's kimono. Easily identified by bright colours and very long sleeves which reach the ground.

Hakama - culottes with lots of material. Mainly worn by men but sometimes for women when playing sport or when graduating. The two activities have a lot in common.
Hanten - short winter coat with a black sateen collar. Is sateen very different to satin? Oh, it uses a satin weave but cotton instead of silk. Checks out.
Happi - straight sleeved coat, now usually worn at festivals. I don't want to look like a japanese hippy. But this is the sort of thing I've been looking at making. The Colonel makes it look good. 

Oh god no.

Haramaki - stretchy stomach cloths. Also 'senninbari'.
Jinbei - pyjamas/house clothes for men and women.
Joe - religious long coat/robe. Usually white.
Junihitoe - 12 layer kimono worn by court ladies. Very beautiful.

Kappogi - apron for wearing over a kimono. Basically a hospital gown with baggy sleevs that ties at the back. Not sexy.
Kasaya - buddhist robes.
Kimono - literally means 'thing which is worn'.
Koikuchi - men's shirt where the neck resembles the mouth of a carp (koi). No collar and a kind of curved v-neck.
Kosode - worn by men and women. A loose t-shaped robe worn with an obi belt/sash.

Kubi bukuro - mesh bag designed to attach to the saddle and hold a severed head. I'm thinking crochet.
Mawashi - Sumo belt/loincloth

Got to admire the cropping there.
Samue - traditionally what zen buddhist monks wear when they're working. Plain side-tie two-piece cotton pyjama-type things.
Senninbari - the stomach cloth haramaki but this one is a 'thousand stitch belt'. When a man was going off to war (including first world war) his wife/mother would go out and ask passing women on the street to stitch a stitch in the belt so each was done by a different woman. In Shinto this was then believed to be an amulet to keep them safe. Apparently the 'stitch' is a french knot. Amazing.

Tobi trousers - I love these! They balloon out past the knees and then gather again at the ankles. It makes japanese workmen (the main wearers) look like a cross between MC Hammer and the original Star Trek crew.

I would love to wear these. I would look uber ridiculous, but still.
Uwagi - kimono style jacket now worn in martial arts. Closed with an obi belt.
Yukata - casual summer kimono worn by men and women. Unlined and closed with an obi belt. This is not a picture of me, I just like their style.

You get these instead of towel robes in japanese hotels.

My Own Journey Through the Floating World

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There is a very special exhibition on in Tokyo at the moment called "Ukiyo-e: A Journey Through the Floating World". It covers the Edo period in japanese art (pronounced ed-oh and not ee-dough like I keep saying) which went from roughly the 17th to the start of the 20th Century and was formed from, initially, hand coloured woodblock prints before later incorporating more modern printing methods. Probably the most famous of this style is one I am sure you are already familiar with.

This is "The Great Wave Off Kanagawa" and despite the number of times I have seen this image, I don't think I ever noticed Mount Fuji there in the middle, behind the second boat. What I didn't know until today is that this is from a series by Katsushika Hokusai called "36 Views of Mount Fuji" and that each of the views is an equivalent masterpiece. You can see them all on Wikipedia here. What I also didn't know is that although this image and others like Red Fuji (second in this series and below) are so iconic, this style of art was restricted to actors and beautiful women only until the Edo period was almost over - this series is from the 1820's. Landscapes were real late comers on the scene.

The majority of the exhibition was therefore people and, this being polite japanese society fodder, there was none of that enormous phallus type stuff the dastardly europeans put in their exhibitions. Therefore this exhibition was really delightful from beginning to end. There were more than 300 pieces on show so I've picked a few artists and images out that I made a note of as I went round.


Kaigetsudo Ando 

This gent painted rather than doing woodblock prints.

This is of a courtesan but the one I saw was called "Beauty in the Wind" and you can see it here. He really captured the movement of her silk kimono in the air.

I couldn't help noticing that all the figures in these early pictures have either no or rather flabby chins. Proves my theory that flabby chins are the most beautiful. Moving on.

























Isoda Koryusai

As I was walking round the exhibition I found myself wondering whether, when so many pictures are available online, exhibitions like this are becoming unecessary. But then I look at this and remember what it looked like in person, and realise that I am a muppet for even thinking such a thing. The texture of the paper and the ink just doesn't come across, or the delicacy of the print or the colour.

It is rumoured he was a samurai who gave that up for art. Can't help wondering what his parents said.











Kitigawa Utamaro

This is the guy who influenced the french impressionist painters and is generally considered one of the all time greats of the genre. There was a rather sweet statement introducing his section of the exhibition, saying that he managed to capture the different facial characteristics of women of different classes!

This is "Three Beauties of the Present Day". I became incerasingly fascinated by the hairdo's as we went around and that crossed swords in the backcombed fringe thing of the one on the left is something I will be attempting shortly.









Toshusai Sharaku

He was a great creator of portraits of Kabuki actors of the age, who were always pictured in make-up for a specific role. These were often available at the theatres - possibly a bit like flyers or perhaps more like a souvenir program. When first published his portraits upset some people as they were realistic rather than showing a more photoshopped view of the actors.

Like original Shakespeare, female roles were (and in fact still are) played by men.



















Hashiguchi Goyo

My final selection was one of my favourite pictures from the whole place. Possibly because it is something I seem to spend a lot of time doing as well as for its beauty.

This is called "Woman in Blue Combing her Hair" and was created in 1920 when Edo was coming to an end as the style changed and became more realistic.














Pooch claims that I have too much time to think now that I'm not working. I suspect this has something to do with my telling him at some length why he was like a cat, and how that explained why I liked him.

However, as I walked back to the station (and shortly before getting on the wrong train again) I did think about how a lot of my favourite paintings feature women with long, dark hair, like what I have. Would this be something true of most people? That they prefer art that reminds them either of themselves or people they care for. Or am I just a real narcissist? The colour course I am doing at the moment is talking about the emotional response we have to colour. I suppose it must be easier to have an emotional reaction to an image you can relate to rather than one you can't. For instance, I've never really felt anything about Marcel Duchamp's "Fountain" but then I've never used one. All in all, I might spend a bit more time pondering that one. Although not thinking about urinals in particular.



(All the japanese images in this post are from Wikipedia and are licensed under creative commons. Although I now see I've screwed up the linking thing that makes the creative commons thing valid. God. I can't be bothered going back and linking them all. Take it from me these were all on wikipedia under the various artists' names and this isn't me trying to do dubious things.)