My visits to Nyafe Melange in Ebisu now number 32. How do I know this? Because I am on my fourth loyalty card. It's Bruiser. I find him so endearing. For instance, could this really be the paw of evil?
Well, yes, it seems so. When I was a child I would have nuzzled the family cat's paw with my nose were it so presented. Were I to do this to Bruiser I have no doubt that I would lose not only my nose but a good chunk of cheek and possibly an eye. While I was there he urinated on a snuggling blanket and half-nelsoned a smaller cat to the ground. It's a small improvement on his deciding to mate with one of the munchkin cats right in front of me. But on this occasion he was under pressure. Three valley girls had come in and were trying to take selfies with the cats. As one cat circled as it got ready to sit down the girl shuffled in a circle around it, keeping her pout in place, waiting for the perfect angle. This was particularly funny with Bruiser as he makes a point of looking away when anyone points a phone at him. The secret...
...is to catch him when he's exhausted himself after all that hating.
I had a lovely time with "Little Ginger" (on the left) who is the youngest of them all and seemingly related to the two adult gingers there. Here he is snuggled up to his sleeping uncle (I think this is his uncle - the other adult ginger is definitely his Dad, but they're not close).
He had a good sit on my lap first and got thoroughly stroked for twenty minutes until he'd had enough and moved to Uncle. He loves cuddling up with his Mum too.
The "Old Man" (creative with my names, aren't I?) was lounging on his own sofa. He's a bit aloof but seems respected by everyone, even Bruiser. If he were a person he'd live in a loft with deep leather armchairs, sherry and lots of old books and be consulted on matters affecting 'the family'. .
I do love all those little cats. They have such distinct personalities.
Tuesday, 7 October 2014
Monday, 6 October 2014
Multi Crafting
I have had a busy few days. Saturday was my first paid teaching gig - four ladies learning Sashiko (traditional japanese embroidery).
The next workshop is on Saturday when I will be teaching people how to knit. Then I got to grips with Noriko's quilt and washed, ironed, cut, sewed, ironed, cut, sewed and ironed until there were 48 of these.
So pale and delicate looking. While out shopping I came across some mini roses being sold and couldn't resist the matching paleness.
Then I moved on to a present for my niece. Do you know the song "Three Little Men in a Flying Saucer"? I didn't before she learnt it.
Feeling like a cheater, I have glued rather than sewn, although it does await some batting so I can make the whole thing into a kind of briefcase, folding in the middle and fastening with a magnet at the top. The pleather handles will mean she can carry it about. The little men fit in the zip up pocket to stop them getting lost. And then finally I am knitting on seemingly chunky #9 needles.
A striped raglan for my ickle brother, who is about a foot taller than me. I was intending to knit him a jumper for his last birthday so I'm only a year behind. I'm hoping to have this done in time for this year's in November.
Onward!
The next workshop is on Saturday when I will be teaching people how to knit. Then I got to grips with Noriko's quilt and washed, ironed, cut, sewed, ironed, cut, sewed and ironed until there were 48 of these.
So pale and delicate looking. While out shopping I came across some mini roses being sold and couldn't resist the matching paleness.
Then I moved on to a present for my niece. Do you know the song "Three Little Men in a Flying Saucer"? I didn't before she learnt it.
Three little men in a flying saucer
Went to the moon one day
They looked left and right
But they didn't like the sight
So one man flew away
Two little men ...etcShe loves it so I thought I'd make a play version.
Feeling like a cheater, I have glued rather than sewn, although it does await some batting so I can make the whole thing into a kind of briefcase, folding in the middle and fastening with a magnet at the top. The pleather handles will mean she can carry it about. The little men fit in the zip up pocket to stop them getting lost. And then finally I am knitting on seemingly chunky #9 needles.
A striped raglan for my ickle brother, who is about a foot taller than me. I was intending to knit him a jumper for his last birthday so I'm only a year behind. I'm hoping to have this done in time for this year's in November.
Onward!
Saturday, 4 October 2014
September Makes
I've seen multiple blogs complaining that September was over before it really began, so I won;t bore you by saying that again. Thinking back I am not really sure what I have finished apart from that teapot. There must have been something else though...thank god Flickr can jog my memory. It would appear that I actually had quite a creative month.
From top left...
From top left...
- Fabric teapot from a kit.
- Bloghop bag accessory which I ended up throwing away.
- My sister's hat
- Kanzashi flowers for a workshop coming in a week or two.
- The pottery bowls I actually made in July got their glaze and are so funny!
- Three more Lucy blocks made for my quilt.
- A one pocket Sew Beautiful bags for a present with sashiko ish embroidered outer fabric.
- Lucy block for a swap
- Lucy block for a swap
- Lobster pillowcase for the Pooch.
- August's cross stitch made into a book cover.
- The blank, which represents three projects with no photos!
Those three are two skirts - one simple and one complicated - and another cross stitch which is a present. I have also been slogging away on a pair of knitted, cabled socks which will probably be a christmas present for someone. I had a real growth spurt with them and have almost finished the second now.
October's makes need to include the two (count'em) quilts following my disaster with the first. The second has been cut up into pieces ready for assembly so next week will be a big sewing week!
Friday, 3 October 2014
Tokyo Spinning Group 2014 Show
This was on Monday and was the tenth annual event they have held. This is their website and they are on Facebook too. I went along with some of the others from the Tokyo Stitch n Bitch group (which has daytime and evening factions - I occasionally do both). I had no idea what to expect but it turned out to be a kind of smaller version of a UK Knitting Show, except with weaving as well. This is the view from the main room looking into three rows of exhibitors.
By Tokyo standards it wasn't crowded at all because you could easily move your elbows. There were some great things on show.
There were some practical demonstrations going on too, although I had missed the live sheep shearing the day before.
There was also the usual straying into needle felting that seems so common now. This lady had made her own horns and pet dragon that way (and was very happy to pose for my horribly blurry photo).
While this guy had had his horns made for him.
It did all feed my desire to get more into weaving. Especially after I discovered a book about Sakiori - Japanese rag weaving. This photo is on Flickr and belongs to Jim Austin so I have merely borrowed it to illustrate.
Not only is it rag woven from indigo cotton, but it is also sashiko embroidered on top. Pretty cool. There were two people wearing tops made from sakiori on one of the stands and their clothes were seriously amazing. I've done a bit of reading about it since the show and the cunning thing about making clothes from the woven cloth (and I suppose from most handwoven cloth) is not cutting it as that will make it unravel. This either leaves you with seventies boxy things like tabards (uk style) or avante garde draped angled creations (japanese style).
So many crafts...so little time. Meanwhile though I am spreading the with my first taught workshop tomorrow - Sashiko for Beginners. It is full (although who knows if they'll all come) so hopefully by lunchtime tomorrow there will be six new sashiko-rs making their way in the world!
By Tokyo standards it wasn't crowded at all because you could easily move your elbows. There were some great things on show.
There were some practical demonstrations going on too, although I had missed the live sheep shearing the day before.
There was also the usual straying into needle felting that seems so common now. This lady had made her own horns and pet dragon that way (and was very happy to pose for my horribly blurry photo).
While this guy had had his horns made for him.
It did all feed my desire to get more into weaving. Especially after I discovered a book about Sakiori - Japanese rag weaving. This photo is on Flickr and belongs to Jim Austin so I have merely borrowed it to illustrate.
Not only is it rag woven from indigo cotton, but it is also sashiko embroidered on top. Pretty cool. There were two people wearing tops made from sakiori on one of the stands and their clothes were seriously amazing. I've done a bit of reading about it since the show and the cunning thing about making clothes from the woven cloth (and I suppose from most handwoven cloth) is not cutting it as that will make it unravel. This either leaves you with seventies boxy things like tabards (uk style) or avante garde draped angled creations (japanese style).
So many crafts...so little time. Meanwhile though I am spreading the with my first taught workshop tomorrow - Sashiko for Beginners. It is full (although who knows if they'll all come) so hopefully by lunchtime tomorrow there will be six new sashiko-rs making their way in the world!
Thursday, 2 October 2014
Whacking the Wadaiko
Wadaiko are tradional japanese drums and come in many shapes and sizes.
You get school bands that use them and they appear in every festival and parade. There are even arcade game versions.
Last night I had the chance to attend a lesson and concert from a group called Wadaiko Sai (the link is to their japanese website and includes videos of them playing). It was awesome! The group leader explained various things about the drums (most of which sadly passed me by as it was in japanese - who'd have thought?) before calling on volunteers to come and try playing them. I was with a complete mix of nationalities as this was a meetup.com event and got noticeably British in my reticence to go on stage, contrasted with my bouncing about in my seat with excitement at it all. I eventually got volunteered by the guy on my right, who was a solar engineer from India, and went up in the third and final group. I was the last one to climb on stage and was presented with the mahoosive drum mounted on its own frame which no one else had played up til then. It was just so huge I couldn't stop laughing. Behold the Byrne in strangely flat faced profile in the background of this photo!
This one puts the size of the drum in context.
It was the Big Daddy of drums. But before I got my turn there were some terribly cute little drummers who had a go.
The little one more or less hidden behind the drum in this one was eventually given a chair to stand on.
The elderly lady is laughing because she had just been told off by the musicians for being too keen and energetic as she started drumming before he said 'go'!
The concert itself was played by the five guys there who had the most amazingly toned arms I've ever seen. Photos were not allowed so I can't share, but they didn't just sit about and whack them with sticks. There was real dynamism in their performance and at one point four of them were lined up with drums in front of them and were playing each others drums and rippling the strikes back and forth along the line - it's hard to describe but it really was amazing. And quite sexy, as a french neuro-surgeon, also part of my eclectic group of watchers, put it in his equally sexy accent. As I told the Meetup's organiser afterwards, it is so brilliant to have the opportunity to come along to these things - especially as a government grant meant we had got in free. I am getting better at using google translate to google for things in japanese but I still mostly search for events in english and never would have found out about this one without the meetup group.
By the by...don't these soldiers also have the same profile as me?
Never occurred to me until I saw that photo of Drummer Byrne. I never knew my forehead was that flat. I shall have to examine my parents in greater detail when I next see them, although my Mother still occasionally reminds me that the forceps required to get me out, way back when, did leave me with a pointy head so perhaps they laid me down on my face too early and only my nose sprang back? Or maybe I'm just a Roman throwback?
Crazy.
You get school bands that use them and they appear in every festival and parade. There are even arcade game versions.
Last night I had the chance to attend a lesson and concert from a group called Wadaiko Sai (the link is to their japanese website and includes videos of them playing). It was awesome! The group leader explained various things about the drums (most of which sadly passed me by as it was in japanese - who'd have thought?) before calling on volunteers to come and try playing them. I was with a complete mix of nationalities as this was a meetup.com event and got noticeably British in my reticence to go on stage, contrasted with my bouncing about in my seat with excitement at it all. I eventually got volunteered by the guy on my right, who was a solar engineer from India, and went up in the third and final group. I was the last one to climb on stage and was presented with the mahoosive drum mounted on its own frame which no one else had played up til then. It was just so huge I couldn't stop laughing. Behold the Byrne in strangely flat faced profile in the background of this photo!
This one puts the size of the drum in context.
It was the Big Daddy of drums. But before I got my turn there were some terribly cute little drummers who had a go.
The little one more or less hidden behind the drum in this one was eventually given a chair to stand on.
The elderly lady is laughing because she had just been told off by the musicians for being too keen and energetic as she started drumming before he said 'go'!
The concert itself was played by the five guys there who had the most amazingly toned arms I've ever seen. Photos were not allowed so I can't share, but they didn't just sit about and whack them with sticks. There was real dynamism in their performance and at one point four of them were lined up with drums in front of them and were playing each others drums and rippling the strikes back and forth along the line - it's hard to describe but it really was amazing. And quite sexy, as a french neuro-surgeon, also part of my eclectic group of watchers, put it in his equally sexy accent. As I told the Meetup's organiser afterwards, it is so brilliant to have the opportunity to come along to these things - especially as a government grant meant we had got in free. I am getting better at using google translate to google for things in japanese but I still mostly search for events in english and never would have found out about this one without the meetup group.
By the by...don't these soldiers also have the same profile as me?
Never occurred to me until I saw that photo of Drummer Byrne. I never knew my forehead was that flat. I shall have to examine my parents in greater detail when I next see them, although my Mother still occasionally reminds me that the forceps required to get me out, way back when, did leave me with a pointy head so perhaps they laid me down on my face too early and only my nose sprang back? Or maybe I'm just a Roman throwback?
Crazy.
Monday, 29 September 2014
Material Discord
There has been a tragedy Chez Byrne. It has brung me low.
It is no doubt partly because I just posted about how I choose fabric, and said I had gained confidence doing so. Suffice to say that the outcome is the ripping of all blocks for a king size disappearing nine-patch quilt top which had been assembled into rows ready to just sew the rows together in order to finish it. But then, just as I was laying it out to pin the rows, it was like I saw something familiar from a new angle.
It was FUGLY! How could this have happened?
*sob*
I urgently beckoned the Pooch, who, hearing the pure terror in my voice actually put down his laptop and came over. "Do you think this quilt is ok?" I asked, piteously. "Ummmm." said the Pooch. Now although he is not always a terribly intuitive man, and does not pick up on subtle signals unless they're being semaphored directly in front of his glasses, he clearly sensed that this was a delicate moment. "Hmmmm." he said. "Errrrr...it...ummmm.... It might perhaps be.... a ....little....bit....busy?" he said with the sentence ending at a very high pitch to make it clear that this was not his opinion - but only one possible opinion that a group of strangers might give were they asked about it.
I slept on it. Not literally. The next day was ripageddon.
This was the state of the floor and of my person below about waist height once it was all over. Fabrics had been amputated and all other big squares, small squares and rectangles of two orientations had been decoupled and ironed. In the end it was these four innocuous looking baddies which had been the key culprits.
So now I have lots of small pieces in ironed piles plus an extra couple of simple half metres I can use to replace the rejects. I just need to doodle a pattern and sew it up. 'Just'.
*sob*
It is no doubt partly because I just posted about how I choose fabric, and said I had gained confidence doing so. Suffice to say that the outcome is the ripping of all blocks for a king size disappearing nine-patch quilt top which had been assembled into rows ready to just sew the rows together in order to finish it. But then, just as I was laying it out to pin the rows, it was like I saw something familiar from a new angle.
It was FUGLY! How could this have happened?
*sob*
I urgently beckoned the Pooch, who, hearing the pure terror in my voice actually put down his laptop and came over. "Do you think this quilt is ok?" I asked, piteously. "Ummmm." said the Pooch. Now although he is not always a terribly intuitive man, and does not pick up on subtle signals unless they're being semaphored directly in front of his glasses, he clearly sensed that this was a delicate moment. "Hmmmm." he said. "Errrrr...it...ummmm.... It might perhaps be.... a ....little....bit....busy?" he said with the sentence ending at a very high pitch to make it clear that this was not his opinion - but only one possible opinion that a group of strangers might give were they asked about it.
I slept on it. Not literally. The next day was ripageddon.
This was the state of the floor and of my person below about waist height once it was all over. Fabrics had been amputated and all other big squares, small squares and rectangles of two orientations had been decoupled and ironed. In the end it was these four innocuous looking baddies which had been the key culprits.
So now I have lots of small pieces in ironed piles plus an extra couple of simple half metres I can use to replace the rejects. I just need to doodle a pattern and sew it up. 'Just'.
*sob*
Saturday, 27 September 2014
Everything in my Etsy Shop Half Price
My idea to sell second hand japanese craft books has not really taken off. So, to clear those that I have I am offering everything half price! That includes all the washi tape and kits and so on.
To get your items half price enter the word HALFPRICE (no space) in the coupon box when you checkout.
Friday, 26 September 2014
Fab Fabric
With one quilt nearly finished (the top at least) for an english friend, it was time to start talking turkey with my japanese friend, Noriko, about a quilt for her. I know I have occasionally mentioned her in the past but I don't think I've really gone into how good a friend she has become. She started off as the-woman-pooch's-company-hired-to-help-us-move-to-tokyo. She was awesome at that and made the logistics of the move amazingly simple. She found our temporary first flat for us. She then took us both to be registered as foreign residents, took me house hunting, took me to ikea to furnish the flat once she had negotiated the lease and done all the paperwork, took me to the supermarket to tell me what all these crazy vegetables and sauces were and which went with which. She helped me open a bank account, register at the library, find a doctor...everything! She went above and beyond what the company had contracted her to do and once she found out about my love of craft she took me to craft shops and the amazing Folk Craft Museum, which we actually visited again together a few weeks ago.
We soon started going for regular lunches and she would whisk me off to beautiful gardens or lovely shops. Her husband, Nari, is also lovely and it probably helped that he was very into the two games Pooch has been working on - Metal Gear Solid and Pro-Evolution Soccer (called 'World Soccer' in Japan). So I knew I wanted to give them something lasting before I left and a quilt seemed called for.
Noriko and Nari lived and worked in England for about two years and Noriko became a National Trust addict. I wanted to make her something that would tie in with the countryside chic sort of thing and also fit with the decor of their mountain flat where they vanish off to for occasional precious weekends. She told me it has oatmeal walls with white tiles. So countryside chic and neutrals - completely outside my usual palette for a second time! Here is what I came up with.
And the pattern is going to be a simple nine-patch with white sashing.
I used to have no confidence at all in putting together fabrics for projects. It was only after taking an online colour course by Stitched in Color that I really got the hang of it. And while the course was very good, I think it was getting into the habit of choosing colour palettes that helped - overcoming that initial fear and just getting stuck in. My current method for choosing fabrics goes like this...
We soon started going for regular lunches and she would whisk me off to beautiful gardens or lovely shops. Her husband, Nari, is also lovely and it probably helped that he was very into the two games Pooch has been working on - Metal Gear Solid and Pro-Evolution Soccer (called 'World Soccer' in Japan). So I knew I wanted to give them something lasting before I left and a quilt seemed called for.
Noriko and Nari lived and worked in England for about two years and Noriko became a National Trust addict. I wanted to make her something that would tie in with the countryside chic sort of thing and also fit with the decor of their mountain flat where they vanish off to for occasional precious weekends. She told me it has oatmeal walls with white tiles. So countryside chic and neutrals - completely outside my usual palette for a second time! Here is what I came up with.
And the pattern is going to be a simple nine-patch with white sashing.
I used to have no confidence at all in putting together fabrics for projects. It was only after taking an online colour course by Stitched in Color that I really got the hang of it. And while the course was very good, I think it was getting into the habit of choosing colour palettes that helped - overcoming that initial fear and just getting stuck in. My current method for choosing fabrics goes like this...
- Think long and hard about the person you're making for, and what kind of things they like. What clothes they wear, how they do their hair, whether they are an angular or curvy person, plain or print etc.
- Go to an actual fabric shop - I am still not confident about choosing online - and spend a long time mooching around. Look at everything.
- Find one print that you think the recipient would like. For me it was the second one from the left in the photo above. Hang on to that bolt of fabric like your life depended on it.
- Carry that bolt around the shop with you and keep laying it next to possible fabrics. Pick out a colour from the print you have chosen and look for fabrics that use that same colour until you find one. Now you're carrying two bolts of fabric.
- Choose another colour in one or both of the bolts you're carrying and find a third fabric. Now you're carrying three bolts
- Repeat until you've got enough.
Of course this is if you're going for a melodious, harmonising colour scheme. If you're making a blue and orange beastie then you'd be looking to make sure your blues and oranges were matching each other and none of the minor colours were clashing with each other. But I would still start with a single, favourite fabric and go from there.
Tuesday, 23 September 2014
The Rush Hour Bloghop
Many thanks to Carol and Madame Samm for this one!
I didn't use the specific material but I did stick with the palette. Black, grey, red and white are sooooo not my usual colours so I was left with a quandary as to what to make. Plus I am a lucky housewife at the moment, so I am not even commuting or working. Was there anything I needed that would use those colours that came into this category?!
It was on my way back from the cat cafe (click here for endless posts about Tokyo's cat cafes) that my idea came to me. I had stopped by the supermarket and my tote bag was loaded with groceries, my beloved pepsi and various notebooks, pen and wallets, all sitting on top of my phone and keys. Regardless of the size of the actual bag, the ability for your phone and keys to vanish into it has always amazed me. I cannot begin to estimate how many times I've had to stop and empty out my bag, convinced that I must have lost one or both, only for the missing article to appear in a fold I swear I already looked in three times. Thus I was to be found squatting on the pavement outside my block with the contents of my bag spread out in front of me as I looked for those damned keys/
Hadn't I seen a bag pockety thing on Pinterest a while back?
Wouldn't that be perfect for my pocketless tote bag?
This was what inspired me and this is what I made.
I used some Marvel comic fabric I had just taken delivery of from the Fat Quarter Shop (my favourite online fabric shop) and some tape measure type printed fabric tape I had left from a previous bag project. I also added a couple of metal snap fasteners so the straps could be fastened around the handles of the tote. So this is the bag closed...
And this is it open...
Travel card, keys and phone, all safely tucked away but - very importantly - easy to find without having to rummage and rummage and rummage for them!
I made this last week so this gave me an opportunity to road test it for a few days.
...hmmm...
After three days I threw it away. USELESS! I was deeply disappointed.
Now don't get me wrong - the concept is great! It is my design (essentially just flat rectangles) and the length of my straps that were at fault. The key problems I had were...
I can see on the original that her main pockets were the full length of the insert and her straps were longer so I am considering this one a trial run and planning to make a second in the next week or so. Luckily I have more of my comic book fabric left!
Here is the schedule for the rest of the hop so please go and visit those taking part!
I didn't use the specific material but I did stick with the palette. Black, grey, red and white are sooooo not my usual colours so I was left with a quandary as to what to make. Plus I am a lucky housewife at the moment, so I am not even commuting or working. Was there anything I needed that would use those colours that came into this category?!
It was on my way back from the cat cafe (click here for endless posts about Tokyo's cat cafes) that my idea came to me. I had stopped by the supermarket and my tote bag was loaded with groceries, my beloved pepsi and various notebooks, pen and wallets, all sitting on top of my phone and keys. Regardless of the size of the actual bag, the ability for your phone and keys to vanish into it has always amazed me. I cannot begin to estimate how many times I've had to stop and empty out my bag, convinced that I must have lost one or both, only for the missing article to appear in a fold I swear I already looked in three times. Thus I was to be found squatting on the pavement outside my block with the contents of my bag spread out in front of me as I looked for those damned keys/
*gasp*
Wouldn't that be perfect for my pocketless tote bag?
This was what inspired me and this is what I made.
I used some Marvel comic fabric I had just taken delivery of from the Fat Quarter Shop (my favourite online fabric shop) and some tape measure type printed fabric tape I had left from a previous bag project. I also added a couple of metal snap fasteners so the straps could be fastened around the handles of the tote. So this is the bag closed...
And this is it open...
Travel card, keys and phone, all safely tucked away but - very importantly - easy to find without having to rummage and rummage and rummage for them!
I made this last week so this gave me an opportunity to road test it for a few days.
...hmmm...
After three days I threw it away. USELESS! I was deeply disappointed.
Now don't get me wrong - the concept is great! It is my design (essentially just flat rectangles) and the length of my straps that were at fault. The key problems I had were...
- The pockets were not deep enough so things fell out, leaving me still rummaging.
- Something with any thickness (even just the thickness of a phone) in a big pocket meant it was hard to use the smaller pocket, which was effectively on top of the big one.
- The straps meant the top of the pocket was in line with the top of the bag - which seemed sensible to me at first - but then when my phone was basically visible on the top edge of my bag all the time I started getting paranoid about it getting nicked.
I can see on the original that her main pockets were the full length of the insert and her straps were longer so I am considering this one a trial run and planning to make a second in the next week or so. Luckily I have more of my comic book fabric left!
Here is the schedule for the rest of the hop so please go and visit those taking part!
Wednesday, September 24
Lixie Makes It (me)
Thursday, September 25
Friday, September 26
Monday, September 29
Tuesday, September 30
Sunday, 21 September 2014
Sumo-ch to Tell You
Yesterday was my first experience of live Sumo. Needless to say, for a girl who loves WWE and Japanese culture, it was extremely enjoyable. The matches go from about 8.30am and start with the most junior wrestlers, working up through the ranks until the Juryo (second tier) at about 2.30pm and then Makuuchi (the cream) from about 3.40pm. Your ticket is for the whole day but it's quite normal for people not to arrive until 3ish. I got there about 12.30 and the place was fairly empty. See below - photos when I arrived and just before I left.
Yes, we were rather high up. Other photos were generally taken at the maximum zoom of my camera (x18) so that will explain the quality.
The early matches were the junior guys but they were still pretty big.
The guys in black around the edges are the five judges who decide who wins and adjudicate of there is any doubt. That very rarely happens, but excitingly actually did when we were there. You win a bout by making your opponent touch inside the ring with any part of his body other than his feet, or outside the ring with any part of his body.
The status of the wrestlers also dictates the kind of referee you get. The ref in the photo above has bare shins and feet and would not be allowed to preside over a senior level match. I found the robes the refs wore fascinating so made a little montage.
Those are all senior refs - indicated not just by robe length but also by their wearing socks and sometimes straw sandals, and also by the colour of their tassels and cords.
While things were quiet I had a good look at the crowd and saw some lovely groupings. Old geezers, who are in fact very rudely pointing the soles of their feet towards the ring - not the done thing.
Family group with a packed lunch.
I would have loved to have one of those 4-seat boxes on the ground floor but you have to buy all four seats and it comes to about £200. Our tickets up the top were still about £35 each, although for 8+ hours entertainment that doesn't work out too badly. Meanwhile outside there was major fandom going on as crowds of people waited for the senior wrestlers to arrive. I am not sure who this is but I happened to snap him as I was meandering around.
They each arrived with a little entourage of junior wrestlers who serve as their assistants/servants as part of their training. This guy was about two metres tall and highly impressive.
Once the junior matches have finished the Juryo wrestlers have their entrance which is very impressive. They parade in and surround the ring.
They are each wearing an embroidered silk apron, usually presented to them by a sponsor or fan. The guy in the front of the above photo, third from the left, is from Bulgaria and has the country's location map embroidered on his. The guys in this group were noticeably bigger than the first and showed a lot of skill, although that didn't always mean the matches were longer. This one can be described in three photos.
And that's back to the shower.
Then it was the turn of the very senior guys - the Makuuchi. They paraded in in the same way, led by the senior referee.
Once in they stood facing outwards, then turned inwards, clapped and raised their arms.
The guy with his arms still raised here is an Egyptian, and you can see the egyptian cartouche on his apron.
Two to the left from him is a Brazilian with the Jesus status on his. Once they had left it was time for the entrance of the Yokozuna. These are the Kings of Sumo. There can only be a maximum of four at a time and there are lot of requirements about how they must show their prowess before they get elected to this role. It is a huge honour to be made a Yokozuna and when a new one is named there is a big ceremony at one of the biggest shrines in Tokyo. They also get a larger than life size photo portrait of themselves hung in the main hall for all time - you can see some of these in the very first picture of this post. The three current ones are all Mongolian, which has caused a certain amount of consternation within Japan, and two were wrestling while we were there. Their entrances were paltry by WWE standards but what they lacked in 80s metal and fireworks they made up for in elegance and gravitas.
As well as the aprons, they wear these huge rope belts with elaborate looped fastenings which can weigh up to 35kg! They also have two attendants accompanying them. Once in they show their flexibility and strength by doing various maneuvers, the exact significance of which were lost on me.
The second Yokozuna to enter was Kakuryu, and one of his attendants was carrying a kendo sword.
A great to do was made about some matches which had sumo celebrities in them. This is Kyokutenho, who is my favourite having seen him wrestle on TV several times. His claim to fame is that he is 40 years old and there have only been six wrestlers older than him in the whole history of sumo. I've seen him interviewed and he has such a kind, happy face!
He contrasts with this newcomer (below) who is a mere 21 - he had come up through University wrestling where he had been champion and had not yet grown his hair long enough for the traditional top knot.
Popular matches can have sponsors, and their banners are carried around the ring after the wrestlers arrive but before the match starts. So for instance, this match had two sponsors.
This guy is also from the Uni circuit and is called Endo.
He is apparently THE sumo pin-up on account of his good looks (?) and so his match had a few extra sponsors.
A few? There were so many they had to do the flags in two batches. Each sponsor gives a cash prize to the winner in an envelope so for this match the stack of envelopes (which the ref hands over in a little ceremony at the end of the match) was about 4" high. This is Endo's bottom. Does it not make you want to lean forward and give it a little pat?
Reminds me of my niece. And then this is Endo's match.
Yep, he lost in about two seconds, making his result sheet this tournament show seven straight losses. Somehow I don't think he'll be sumo's darling for much longer. His opponent could easily have picked up £50k for winning this match alone on account of all those envelopes. The junior wrestlers get an annual stipend of a few thousand plus their food and lodgings but at the top end there is big money to be made from matches and most of all from endorsements and sponsors.
The only other matches to attract so many sponsors were those concerning the Yokozuna.
They each won their own matches, much to the delight of the crowd.
The final stage in the sumo day is the bow twirling ceremony. I think the judges choose someone who has performed well that day to do this but I am not 100% on that. In any case he was very impressive.
He was handed the bow by the senior referee and proceeded to twirl it all over in the most majestic cheerleader performance you'll ever see.
Leaving the stadium, the drums were being played from the top of a tall, free standing tower in the front of the stadium grounds, to let the neighbourhood know that events had finished for the day. The atmosphere outside was lovely - like a happy crowd after their team won at home. There were a number of elderly gents with their elderly friends who had obviously had rather too much beer and were heading back to the station like very gentle dodgem cars. Everyone was in high spirits and personally I would love to go back another day!
Yes, we were rather high up. Other photos were generally taken at the maximum zoom of my camera (x18) so that will explain the quality.
The early matches were the junior guys but they were still pretty big.
The guys in black around the edges are the five judges who decide who wins and adjudicate of there is any doubt. That very rarely happens, but excitingly actually did when we were there. You win a bout by making your opponent touch inside the ring with any part of his body other than his feet, or outside the ring with any part of his body.
The status of the wrestlers also dictates the kind of referee you get. The ref in the photo above has bare shins and feet and would not be allowed to preside over a senior level match. I found the robes the refs wore fascinating so made a little montage.
Those are all senior refs - indicated not just by robe length but also by their wearing socks and sometimes straw sandals, and also by the colour of their tassels and cords.
While things were quiet I had a good look at the crowd and saw some lovely groupings. Old geezers, who are in fact very rudely pointing the soles of their feet towards the ring - not the done thing.
Family group with a packed lunch.
I would have loved to have one of those 4-seat boxes on the ground floor but you have to buy all four seats and it comes to about £200. Our tickets up the top were still about £35 each, although for 8+ hours entertainment that doesn't work out too badly. Meanwhile outside there was major fandom going on as crowds of people waited for the senior wrestlers to arrive. I am not sure who this is but I happened to snap him as I was meandering around.
They each arrived with a little entourage of junior wrestlers who serve as their assistants/servants as part of their training. This guy was about two metres tall and highly impressive.
Once the junior matches have finished the Juryo wrestlers have their entrance which is very impressive. They parade in and surround the ring.
They are each wearing an embroidered silk apron, usually presented to them by a sponsor or fan. The guy in the front of the above photo, third from the left, is from Bulgaria and has the country's location map embroidered on his. The guys in this group were noticeably bigger than the first and showed a lot of skill, although that didn't always mean the matches were longer. This one can be described in three photos.
And that's back to the shower.
Then it was the turn of the very senior guys - the Makuuchi. They paraded in in the same way, led by the senior referee.
Once in they stood facing outwards, then turned inwards, clapped and raised their arms.
The guy with his arms still raised here is an Egyptian, and you can see the egyptian cartouche on his apron.
Two to the left from him is a Brazilian with the Jesus status on his. Once they had left it was time for the entrance of the Yokozuna. These are the Kings of Sumo. There can only be a maximum of four at a time and there are lot of requirements about how they must show their prowess before they get elected to this role. It is a huge honour to be made a Yokozuna and when a new one is named there is a big ceremony at one of the biggest shrines in Tokyo. They also get a larger than life size photo portrait of themselves hung in the main hall for all time - you can see some of these in the very first picture of this post. The three current ones are all Mongolian, which has caused a certain amount of consternation within Japan, and two were wrestling while we were there. Their entrances were paltry by WWE standards but what they lacked in 80s metal and fireworks they made up for in elegance and gravitas.
As well as the aprons, they wear these huge rope belts with elaborate looped fastenings which can weigh up to 35kg! They also have two attendants accompanying them. Once in they show their flexibility and strength by doing various maneuvers, the exact significance of which were lost on me.
The second Yokozuna to enter was Kakuryu, and one of his attendants was carrying a kendo sword.
A great to do was made about some matches which had sumo celebrities in them. This is Kyokutenho, who is my favourite having seen him wrestle on TV several times. His claim to fame is that he is 40 years old and there have only been six wrestlers older than him in the whole history of sumo. I've seen him interviewed and he has such a kind, happy face!
He contrasts with this newcomer (below) who is a mere 21 - he had come up through University wrestling where he had been champion and had not yet grown his hair long enough for the traditional top knot.
Popular matches can have sponsors, and their banners are carried around the ring after the wrestlers arrive but before the match starts. So for instance, this match had two sponsors.
This guy is also from the Uni circuit and is called Endo.
He is apparently THE sumo pin-up on account of his good looks (?) and so his match had a few extra sponsors.
A few? There were so many they had to do the flags in two batches. Each sponsor gives a cash prize to the winner in an envelope so for this match the stack of envelopes (which the ref hands over in a little ceremony at the end of the match) was about 4" high. This is Endo's bottom. Does it not make you want to lean forward and give it a little pat?
Reminds me of my niece. And then this is Endo's match.
Yep, he lost in about two seconds, making his result sheet this tournament show seven straight losses. Somehow I don't think he'll be sumo's darling for much longer. His opponent could easily have picked up £50k for winning this match alone on account of all those envelopes. The junior wrestlers get an annual stipend of a few thousand plus their food and lodgings but at the top end there is big money to be made from matches and most of all from endorsements and sponsors.
The only other matches to attract so many sponsors were those concerning the Yokozuna.
They each won their own matches, much to the delight of the crowd.
The final stage in the sumo day is the bow twirling ceremony. I think the judges choose someone who has performed well that day to do this but I am not 100% on that. In any case he was very impressive.
He was handed the bow by the senior referee and proceeded to twirl it all over in the most majestic cheerleader performance you'll ever see.
Leaving the stadium, the drums were being played from the top of a tall, free standing tower in the front of the stadium grounds, to let the neighbourhood know that events had finished for the day. The atmosphere outside was lovely - like a happy crowd after their team won at home. There were a number of elderly gents with their elderly friends who had obviously had rather too much beer and were heading back to the station like very gentle dodgem cars. Everyone was in high spirits and personally I would love to go back another day!
Subscribe to:
Posts (Atom)